We have a 4:30 A.M. wake up call so that we can be on the film location early. Our buses depart the hotel at 6:00 A.M. and drive the the hour and a half to the film location. I am delighted that during the night, the camels and horses have arrived! There are 85 camels and 35 Arabian horses on site and we learn that some of the camel drivers have traveled several days to arrive at this destination. Several nights ago, during one of our group meetings, I documented that I had "moderate horse experience" on a paper that was passed around our group. The horses on site today are young and spirited; the stallions not gelded and I fear that these horses are more than I can handle safely. Gary gathers us together and chooses the horse riders first. Many of the experienced riders chosen are women, who will need to dress as men since it was only men who rode in the caravans. I am near the front of the circle and when Gary asks who feels competent to ride a camel? My hand is instantly up and I am one of the 8 chosen. I too will dress as a man for the caravan scene and I head for the costuming tent where I will be outfitted. Numerous tents are in place to accommodate the costuming, the makeup, the changing rooms for both men and women plus one extremely large tent erected to accommodate all of us for our meals. It is utter chaos as 108 of us cram into the costuming tent to choose appropriate costumes. The horsemen/women, and the camel rider costumes are all the same; black polyester "Ninja Pajamas" and I am soon dressed in my unflattering costume with time to wander the film location. I gravitate towards the camel encampment and am approached by several young men, asking if I want a ride on one of their camels? I try to explain that I am to be one of the chosen camel riders, but they don't understand and within moments, I am positioned atop a camel and ordered to lean backwards. I am thrust forward as my camel rises, unfolding its awkward legs and I am grateful that I have not been thrown to the ground. I am in bliss; all of my senses delighted. Visually, the scene is exotic, 85 camels adorned with colorful tasseled blankets and tended by Bedoin camel drivers. The scent of the camels connects with a nostalgic part of my brain; my youth and time spent around horses and stables. I stroke the neck of my camel and am surprised that the grain of the hair upon its neck faces upwards, not downwards like a horse. The camels in the encampment snort and chew their cud and deposit rivers of pee into the sand below. I could not be happier.
Eventually, everyone is costumed but it is nearly noon. A elaborate catered lunch is provided within the magic of the main tent; over 100 feet long and decorated within by colorful tapestries The meal is mindfully catered and we all enjoy roasted lamb, skewer chicken, grilled vegetables and an array of sweets to culminate the meal. We are all in costumes and I feel transformed into the character that I will soon portray.
At lunch, we are given the script for the caravan scene and it is now time to film the re-enactment of the Frankinscence Trail. The caravan of 85 camels will ride along the sand dunes, guarded by the horse guards. Between each of the 8 camel riders is a string of 8 camels, laden with goods. Each camel is led by one of our group and as the day wears on, I am grateful that I sit atop a camel and am not leading one and trudging through the sand.
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